Sorry Daddy

Mehta's direction oscillates between genuine social commentary and formulaic cop-thriller mechanics, creating a film that feels fundamentally at odds with itself. The premise—a father investigating his daughter's friend's disappearance that unveils an exploitation ring—carries real thematic weight, and the performances from the lead, particularly in moments where paternal concern intersects with professional duty, anchor the narrative with credibility. However, the execution falters when the film cannot decide whether it wants to be a gritty procedural about systemic child exploitation or a conventional masala thriller with convenient revelations. The supporting cast delivers competent work, but their characters often function as plot devices rather than fully realized presences, which undermines the emotional stakes when vulnerable children are at the centre of the story.

What derails the film most profoundly is its structural inability to balance intimate character drama with the sprawling conspiracy angle. The investigation into Sevak Ram's charity fraud expands the narrative's scope but simultaneously dilutes focus from Aditya's personal tragedy and Ravi's emotional journey as a father. The screenplay relies too heavily on expository dialogue rather than allowing tension to build organically, and the climactic confrontations feel rushed, as if the filmmakers suddenly remembered the runtime. While the social issue deserves serious engagement, the film treats exploitation