
What the Fish
- Director
- Gurmeet Singh
- Studio
- Tipping Point FilmsLight Forms PicturesViacom 18 Motion Pictures
- Release Date
- 12 December 2013
- Running Time
- 126 min
- Language
- Hindi
- Country
- India
- Budget
- ₹4.50 Cr
- Box Office
- ₹0.98 Cr
Review
"What the Fish" is a film that mistakes chaotic premise for actual comedy—and that's a fundamental miscalculation. The setup is admittedly clever: a simple favor to feed a fish spirals into a madhouse of roommates, replacements, and misunderstandings. But director Gurmeet Malik squanders this goldmine by piling on situations without bothering to build genuine humor or character logic. The film treats comedic escalation like a shopping list—just keep adding more people, more confusion, more noise—without understanding that comedy requires timing, wit, and emotional stakes. What we get instead is loud, exhausting pandemonium masquerading as entertainment.
The performances are serviceable but thoroughly wasted. The ensemble cast works hard, but they're fighting against a script that confuses repetition with humor and confusion with cleverness. The fish, which should be the anchoring symbol of the chaos, becomes irrelevant window dressing. There's no character arc worth following, no witty dialogue to remember, and worst of all, no reason to care whether anyone resolves their mess. Malik had the skeleton of a decent farce here but lacked the discipline and screenplay craft to make it sing. Instead, "What the Fish" feels like watching someone frantically throw spaghetti at the wall for ninety minutes.
Rating: 4/10
Storyline
So basically, there's this woman named Sudha who's about to head out on a month-long vacation, and she asks her niece's boyfriend Sumit to do her a favor—just hang out at her place and feed her pet fish. Sounds simple enough, right? Well, when she gets back home, things are definitely not what she left them, and there's some pretty strange stuff going on.
What makes this movie hilarious is that while Sudha was away, her place basically turned into Grand Central Station with all these random roommates showing up and crashing there. Everyone's got their own drama and chaos, and somehow it all revolves around this poor fish that keeps getting replaced over and over again. It's like one mishap leads to another in this crazy domino effect.
The whole vibe of the film is just pure comedic pandemonium—you've got all these misunderstandings and ridiculous situations unfolding because of the succession of different people living in Sudha's house. It's the kind of movie where you just sit back and watch everything spiral into absolute madness, all tied together by this fish that somehow becomes the center of attention throughout all the craziness.



