
Rama Rama Kya Hai Dramaa?
- Director
- Chandrakant Singh
- Studio
- | distributor = Oracle Entertainment Pvt. Ltd.
- Release Date
- 1 November 2008
- Language
- Hindi
- Country
- India
- Budget
- ₹8.00 Cr
- Box Office
- ₹2.82 Cr
Review
Rama Rama Kya Hai Dramaa attempts to mine comedy gold from the familiar terrain of marital discord and male fantasy, a premise that could have worked had the execution matched the ambition. The film's central idea—that a husband's daydreams spiral into chaos, forcing genuine communication with his wife—carries potential for both laughs and warmth. The performances, particularly in the quieter moments when Santosh and Shanti finally connect, show actors willing to dig beneath the surface-level comedy. What undermines the effort is the uneven pacing and a script that relies too heavily on slapstick and police-chase theatrics rather than developing the emotional core that makes the eventual reconciliation feel earned. The director shows moments of restraint in the climactic sequences, but these are too few to salvage what came before.
The film's saving grace lies in its ultimate message—that marriage thrives not on perfection but on acceptance of imperfection and honest dialogue. This sincerity, however, arrives too late and feels somewhat at odds with the broader comedic tone that precedes it. The daydream sequences themselves are visually inventive in patches, though their cumulative effect is more exhausting than entertaining. Where the film stumbles most is in treating Shanti's character as a plot device for most of the runtime, only to hastily redeem her in the final act. The chemistry between leads suggests better material could have elevated them both; instead, they're s
Storyline
So there's this guy Santosh who works at a bank in Mumbai, and he's constantly bickering with his wife Shanti at home. The poor fellow is pretty straightforward and doesn't always know how to handle situations smoothly, which keeps landing him in hot water with her. Meanwhile, his boss Prem keeps rubbing salt in his wounds by bragging about his "perfect" married life with his wife Khushi, making Santosh feel even worse about his own situation.
Here's where things get wild – Santosh starts daydreaming about being with other women, and these fantasies keep happening throughout the movie in some pretty hilarious ways. Of course, his imagination gets him into some serious trouble, including run-ins with the police that really complicate things.
But then something interesting happens when Shanti steps in to help him out of this mess. Once they're through the crisis, the couple finally sits down and talks things through, and they both realize that arguing and having rough patches is actually pretty normal for couples. They come to understand that marriage is all about accepting these ups and downs and learning to move forward together.




