No Problem

Anubhav Sinha's *No Problem* is a film that mistakes narrative congestion for complexity, piling on subplots—the bank heist, the alter-ego wife, the Durban underworld, the diamond smuggling—without allowing any of them sufficient breathing room to resonate. The premise had potential as a dark comedy in the vein of *Khosla Ka Ghosla*, which balanced multiple schemes with character-driven humor, but here the tonal shifts feel jarring rather than clever. Akshay Kumar and Paresh Rawal fumble through their chemistry as bumbling criminals; their scenes together lack the warmth that could justify why we should root for them, and the supporting performances—particularly the treatment of Kajal's dual personality disorder as comedic fodder—feel exploitative rather than satirical. The director mistakes rapid-fire plotting for engagement, leaving character arcs underdeveloped and emotional stakes hollow.

What deserves credit is the film's ambition to operate on multiple registers simultaneously—it wants to be a heist caper, a romantic drama, a cop thriller, and a psychological dark comedy all at once. There are moments, particularly in the final act collision of schemes, where this chaotic energy produces genuine entertainment value, recalling the zaniness of *Welcome* (2007). However, the screenplay by Neeraj Pandey lacks the precision to make such genre-blending work; scenes that should crackle with tension or comedy instead feel prolonged, and the film's 2-hour-20-minute runtime prov