Review
There's a darkness here that cinema rarely dares to explore with such unflinching honesty. Avinash's journey isn't a hero's arc—it's a descent into the abyss, and watching a man rationalize his cruelty through the lens of victimhood is deeply unsettling in ways that linger long after the credits roll. The film strips away the romanticism we're so used to in Hindi cinema; there's no redemptive moment waiting around the corner, no grand apology that makes everything okay. Instead, we're trapped inside the mind of someone whose entitlement curdles into violence, and the performances ground this nightmare in a terrifying authenticity that makes you question your own complicity as an audience member.
What's most striking is how the film refuses to let the women he hunts become mere plot devices—their desperation, their humanity, their vulnerability all register as real tragedies rather than obstacles for our protagonist to overcome. Devyani's gang isn't a revenge fantasy; they're survivors, flawed but fighting back, and when that bomb detonates, it's not cathartic, it's catastrophic. The direction maintains this suffocating tension throughout, never allowing us the comfort of distance or humor to deflect from the horror unfolding on screen.
The ending—where Avinash faces his own mortality and begs Richa to save their child from becoming like him—is brutally honest about the cyclical nature of trauma and violence. It doesn't offer neat answers or moral clarity; instead, it leaves
Storyline
Avinash rolls into the city chasing after Richa, the police commissioner's daughter, and decides the best way to win her heart is by sleeping around to build his confidence—yeah, that logic! But his casual encounters catch up with him when he gets diagnosed with HIV, and instead of facing reality, he goes full villain mode, imprisoning the doctor and launching a brutal revenge campaign against every woman he blames for his infection. The desperation is real, the anger is visceral, and you're watching this guy spiral into something genuinely terrifying.
What makes this absolutely gripping is how the film refuses to let Avinash off easy—he's not your typical misunderstood hero, he's a man consumed by rage and denial, hunting down the women from Devyani's gang with murderous intent. There's this gut-wrenching moment with Mrs. Dayal, desperate for a child, where you think maybe, just maybe, he'll find some humanity, but it all crumbles when Devyani's bomb goes off and everything explodes into chaos. The tension doesn't relent for a second, and you're constantly uncomfortable—which is exactly where the film wants you.
In the end, Avinash is dying, and instead of redemption we get something rawer—he begs Richa to protect their unborn child from him, acknowledging that he's become the monster he always feared. It's a haunting conclusion that refuses to wrap things up neatly, leaving you sitting with the weight of his choices and the collateral damage of his rage. Sure, the film's controversial as hell and its moral messaging is deeply problematic, but man, does it make an impact!