Mimi

Kruti Mahajan's "Mimi" tackles surrogacy with an earnestness that's both admirable and occasionally clumsy, presenting a film that refuses to shy away from messy moral questions even when it stumbles in the execution. The central premise—a struggling dancer becoming a surrogate mother and subsequently abandoned by the commissioning couple—has genuine dramatic heft, and the film deserves credit for centering a woman's bodily autonomy and social ostracism rather than turning it into convenient melodrama. Kriti Sanon delivers a committed performance that anchors the film's emotional core, though the screenplay sometimes undercuts her work by veering into heavy-handed sentimentality when subtlety would have landed harder.

Where "Mimi" falters is in its tonal inconsistency and its tendency to sanctify motherhood rather than truly interrogate it. The film wants to be both a sharp social commentary and a heartwarming triumph narrative, but these impulses frequently collide rather than coalesce. Side characters feel underwritten, the male leads lack sufficient dimensionality, and there are moments where the film's perspective on surrogacy as a moral choice gets muddled by conventional family-drama beats. What saves it from being preachy is that Sanon's vulnerability feels genuine—you believe her character's internal conflict even when the dialogue spelling it out feels tin-eared.

"Mimi" is a flawed but spirited attempt to bring nuance to a subject Bollywood typically ignores, ancho