Kissebaaz

Kissebaaz is a masterclass in how not to make a political drama. Director Annant Jaaitpaal attempts to weave together ambitions of tackling political intrigue with a revenge narrative, but the result is a muddled, exhausting slog that mistakes melodrama for substance. The script feels like it was assembled from discarded scenes of films made decades ago—clichés piled upon clichés, with no fresh perspective or meaningful commentary to justify its existence. What could have been a compelling exploration of power and consequence instead devolves into a tedious saga about love and its supposed earth-shattering aftermath, the kind of overwrought nonsense that insults the intelligence of anyone who sits through it.

The fundamental problem isn't ambition—it's execution. The narrative structure is haphazard, jumping between plot points without cohesion or purpose, leaving viewers utterly disconnected from the supposed passion driving the central conflict. There's no tautness, no clever misdirection, no reason to care about any character or their fate. By the time the revenge elements kick in, you're too mentally exhausted to feel anything but relief that it's finally over. This isn't cinema; it's a punishment disguised as entertainment, a film that confuses self-importance with storytelling.

Rating: 2/10