
I Hate Luv Storys
- Director
- Punit Malhotra
- Studio
- Dharma ProductionsUTV Motion Pictures
- Release Date
- 1 July 2010
- Running Time
- 135 min
- Language
- Hindi
- Country
- India
- Budget
- ₹25.00 Cr
- Box Office
- ₹72.52 Cr
Review
Punit Malhotra's directorial debut arrives as a refreshing counterpoint to the saccharine romanticism that had begun calcifying Hindi cinema by 2009. *I Hate Luv Storys* operates on a deceptively simple premise—the meet-cute between two ideological opposites—but it executes the formula with enough self-awareness and genuine wit to distinguish itself from the parade of forgettable rom-coms of its era. Imran Khan brings an understated charm to Jay, his deadpan delivery and refusal to play the manic pixie dream boy role forestalling the worst instincts of the genre. Genelia D'Souza, conversely, walks a tightrope between Simran's romantic idealism and her gradual awakening, never allowing the character to tip into caricature. The chemistry between them crackles precisely because the screenplay understands that friendship—genuine, unglamorous conversation—is more compelling than the manufactured sparks we've grown accustomed to in Bollywood's love stories.
Where the film falters, however, is in its second half, where the narrative machinery becomes increasingly visible. The emotional climax in New Zealand feels hurried, and the resolution arrives with all the subtlety of a bollard—precisely the kind of heavy-handed gesture the film had been cleverly subverting moments before. The supporting cast, particularly Puneeta Kapoor's manipulative fiancée, operates in shades too black-and-white for a film that had established such nuance elsewhere. Still, Malhotra understands the rhythm o
Storyline
So there's this girl named Simran who's basically living her dream life—she works as an art director in movies and has this seemingly perfect fiancé named Raj. She's absolutely obsessed with romantic movies and believes in that whole fairy tale love thing. Then Jay enters the picture, and he's basically the complete opposite of everything she loves. He works for this famous director and absolutely hates romantic stories, which honestly puts him at odds with pretty much everyone around him, especially Simran at first.
When they start working together on a film project, something shifts between them. They go from rubbing each other the wrong way to becoming genuine friends, hanging out and getting to know each other better. This friendship starts messing with Simran's head because she begins questioning whether Raj is actually right for her. The more time she spends with Jay, the more her feelings deepen for him, and she decides to take the risk and tell him how she feels about him.
Unfortunately for Simran, things don't go the way she hoped. Jay basically tells her that he only sees her as a best friend and nothing more, leaving her absolutely crushed. She decides to escape the situation by heading to New Zealand earlier for work. But here's where it gets interesting—Jay's life feels empty without her around, and he suddenly realizes that he's actually fallen for her too. He follows her to New Zealand to finally tell her his true feelings, but when he does, things take an unexpected turn.




