
Gulabo Sitabo
- Director
- Shoojit Sircar
- Studio
- Rising Sun FilmsKino Works
- Release Date
- 11 June 2020
- Running Time
- 125 min
- Language
- Hindi
- Country
- India
Review
Amitabh Bachchan and Ayushmann Khurrana deliver a masterclass in comic timing and character work in this delightfully offbeat dark comedy that proves Shoojit Sircar remains one of Hindi cinema's most inventive voices. The chemistry between the two leads is electric—Bachchan's miserly, scheming Mirza and Khurrana's perpetually exasperated Baankey create a friction that's both hilarious and deeply human. Sircar builds his world with meticulous attention to detail, turning the crumbling Fatima Mahal mansion into far more than a mere setting; it becomes a character itself, a rotting monument to greed and stubbornness that mirrors the decay within both men's souls. The film's exploration of class struggle, generational conflict, and the corrosive nature of avarice is wrapped in such clever, witty packaging that you barely notice the weight of what's being said.
What truly elevates the material is the screenplay's refusal to take easy routes or offer tidy resolutions. The plotting remains unpredictable throughout, with the buried secret subplot adding layers of intrigue without ever veering into melodrama. Bachchan particularly shines in a role that could've been one-dimensional; instead, we glimpse the loneliness and desperation lurking beneath Mirza's callousness. The supporting cast holds their own, and the film's visual language—those yellowed walls, the suffocating interiors—reinforces the claustrophobic tension simmering throughout. If there's a stumble, it's occasionally in
Storyline
In a crumbling mansion buried within the heart of Lucknow sits a man consumed by greed, waiting like a vulture for his aging wife to breathe her last so he can claim what he believes is rightfully his. Mirza, sharp-tongued and miserly, lords over Fatima Mahal with an iron fist, squeezing every last paisa from the struggling tenants who call its decaying walls home. But patience is a virtue this bitter old soul has never possessed, and his relentless pursuit of coins has made him far more enemies than friends.
Among those who suffer under Mirza's tyranny is Baankey, a humble mill owner living within the mansion's walls with his family, perpetually caught between hunger and Mirza's unforgiving demands. Their clash ignites when an act of fury—a wall crumbling under Baankey's foot—becomes the spark for a feud neither man can extinguish. What begins as petty grievances transforms into something far more dangerous, with Baankey's heart hardening as Mirza's cruelty mounts, each slight deepening the wound between them.
Then fate intervenes in the most unexpected of ways, when a government archaeologist uncovers a secret buried within Fatima Mahal's foundation—a secret that could change everything for both men, forcing their little war into a much larger game where neither can predict the consequences. The mansion itself seems to hold the key to their twisted destinies, waiting patiently for the moment when all will be revealed.