
Bumboo
- Director
- Jagdish Rajpurohit
- Studio
- Rajpurohit Communications, TF1 InternationalRajpurohit CommunicationsTF1 International
- Release Date
- 29 April 2012
- Running Time
- 126 min
- Language
- Hindi
- Country
- India
- Budget
- ₹2.50 Cr
- Box Office
- ₹0.39 Cr
Cast
Review
Bumboo attempts a darkly comedic premise—a hitman derailed by an emotionally needy photographer—but fumbles the execution so badly that even its occasionally clever moments can't save it from mediocrity. Director Adityakumar Singh seems unsure whether he's making a thriller, a comedy, or a character study about loneliness, and the result is a tonally confused mess that never commits to anything. The accidental drugging subplot and the mistaken identity sequences could have been genuinely funny with sharper writing and better timing, but instead they land with all the impact of a wet noodle. The performances don't help—there's a lacking chemistry between the leads that should be carrying the comedic momentum, and the supporting cast feels like they're reading cue cards rather than inhabiting actual human beings.
What's particularly infuriating is that there's a real story buried somewhere here about how desperation and human connection can upend even the most meticulous plans. Instead of exploring that thematic gold, the film wastes itself on poorly timed gags and a narrative that feels stitched together from rejected screenplay drafts. The Goa setting is beautiful but utterly wasted, serving as nothing more than a generic backdrop. By the time the third act limps toward its conclusion, you'll have already checked out—the box office numbers suggest most audiences did the same, and they were right to.
Rating: 4/10
Storyline
So there's this professional assassin named Mangal Singh who gets hired to take out this crooked stock market guy named Manu Gupta right before his trial at the Goa High Court. He sets up shop in a hotel room across from the courthouse, thinking it'll be a straightforward job. But then this newspaper photographer named Suresh Sudhakar checks into the room next door, and things immediately go sideways for everyone involved.
Sudhakar's in Goa trying to cover the trial, but really he's there hoping to reconnect with his ex-wife Pinky, who's moved on and is dating a psychiatrist. When Pinky keeps rejecting him, Sudhakar gets pretty desperate and even tries to harm himself in his hotel bathroom. The commotion alerts the bellboy Vincent, who discovers what's happening and connects Sudhakar's room to Mangal's, basically introducing the two of them without any idea who the other really is.
Now here's where it gets hilarious—Sudhakar thinks Mangal is just a genuinely kind person trying to help him through his crisis, so he becomes super attached and won't leave him alone for a second. Mangal, stuck with a clingy new friend, can't get anywhere near accomplishing his actual mission. Things get even messier when Pinky's boyfriend shows up at the hotel trying to provide some professional mental health support, but Mangal totally misidentifies him and accidentally drugs the wrong guy.



