
Ankhen
- Director
- Ramanand Sagar
- Studio
- Ramanand Sagar
- Release Date
- 1 January 1968
- Running Time
- 174 min
- Language
- Hindi
- Country
- India
- Budget
- ₹6.50 Cr
- Box Office
- ₹6.50 Cr
Review
Rajkumar Santoshi's "Ankhen" arrives as an ambitious espionage thriller that attempts to weave together romance, family drama, and geopolitical intrigue—a combination that occasionally sparkles but more often strains under its own weight. The film's premise is genuinely compelling: a spy caught between duty and personal entanglements, with the stakes extending into his own household through an embedded operative. Ajay Devgn delivers a measured performance as Sunil Mehra, carrying the moral complexity of a man who must choose between his nation and his family with restraint rather than histrionics. However, the narrative frequently buckles under the pressure of juggling too many plot threads—the dual love interests feel more like obligatory Bollywood conventions than organic complications, and the emotional payoff of Sunil's "death" gets diluted by obvious foreshadowing.
Where "Ankhen" genuinely impresses is in its willingness to complicate the spy-thriller formula with domestic vulnerability. The idea of a terrorist operative infiltrating a household as a trusted family member creates real dramatic tension, and Santoshi demonstrates considerable skill in orchestrating the reveal sequences and the subsequent cat-and-mouse game. Sushmita Sen and Priyanka Chopra provide capable support, though the screenplay doesn't always give them the depth their characters deserve. The film's climactic act does recover momentum, moving from melodrama into genuine suspense as the family orche
Storyline
Sunil Mehra gets the call nobody wants—his predecessor's been gunned down in Beirut, and now he's the one stepping into the crosshairs of a terrorist network hell-bent on destabilizing post-independence India. He flies out expecting a straightforward mission, but instead finds himself tangled between a past romance with Meenakshi and an admirer named Zenab, all while Syed and his ruthless crew are orchestrating something far more sinister back home. The terrorists' masterstroke? Plant a woman named Madame right inside Diwan Chand's household, posing as his daughter's aunt, with Sunil's nephew Babloo held hostage to ensure absolute obedience.
Everything crumbles when the enemy closes in from all sides—Doctor X and Captain feed Syed every secret they extract from the family, leaving Sunil completely exposed and captured in Beirut. Then comes the crushing blow: a phone call reaches Diwan informing him that his son is dead, and suddenly the entire operation lies in ruins. The concerned citizens who started this fight have become dangerously vulnerable, with an enemy operative embedded right in their home and their greatest asset seemingly lost forever.
What unfolds next is a masterclass in survival and redemption as the family must navigate impossible odds, trust nothing and no one, and somehow orchestrate a comeback when all seems lost.



