Sunday

Rajshree Thakur's "Sunday" attempts to mine genuine tension from the vulnerability of a woman confronting a stolen memory, and in its better moments, it succeeds. The premise—a voiceover artist waking with an entire day erased from her mind—carries inherent psychological dread, and the film occasionally taps into this effectively. Radhika Apte delivers a committed performance as Sehar, conveying the disorientation and growing paranoia that such an experience would naturally provoke. The investigation into what happened during those lost hours has the bones of a solid thriller, and the film earns credit for taking its central violation seriously rather than using it as mere plot convenience.

However, the execution falters where it matters most—in the writing and structural coherence. The narrative introduces red herrings (the taxi driver, the actor) that feel like genuine misdirection initially but ultimately clutter the story rather than enrich it. The romantic subplot involving Rajveer the corrupt cop dilutes focus from what should be Sehar's singular mission, and their dynamic never achieves the complexity the script seems to promise. Thakur's direction, while competent, doesn't elevate the material beyond its conventional thriller framework. The resolution, once revealed, doesn't quite justify the mystery built around it, leaving viewers with the sense that the journey was more compelling than the destination.

Rating: 6.2/10