Roohi

Janhvi Kapoor and Rajkummar Rao's chemistry is undeniably the heart of this gloriously unhinged ride. What could have been a tired kidnapping-for-marriage story transforms into something genuinely inventive—a demon-possessed bride, two small-time criminals fumbling their way into emotional investment, and a premise so audacious it shouldn't work but somehow does. The film commits fully to its weirdness, refusing the safety of conventional storytelling, and that audacity pays dividends. Watching these bumbling goons develop conflicting obsessions—one enamored with the girl, the other fascinated by the demonic entity within her—creates comedy that actually lands while generating unexpected emotional resonance.

Where the film truly shines is in its refusal to be a disposable gimmick machine. Instead of leaning entirely on shock value, it builds genuine stakes and character arcs that feel earned rather than forced. The supernatural mythology wrapping around these criminal mishaps gives the narrative momentum, and the ensemble manages to ground the absurdity with moments of real humanity. Kapoor and Rao elevate material that could collapse under its own strangeness, their performances threading the needle between comedy and sincerity with admirable skill.

The script doesn't always maintain the balance between its comedic and emotional impulses—some tonal shifts feel jarring, and the pacing stumbles occasionally when trying to juggle too many plot threads. But these are minor stu