Munjya

There's something delightfully unhinged about *Munjya* that makes it work in ways far more substantial than its premise might suggest. Director Aditya Sarpotdar takes what could have been a forgettable horror-comedy and infuses it with genuine pathos—the backstory of Gotya's doomed obsession, trapped for seventy years in supernatural rage, becomes oddly heartbreaking alongside the comedy. Abhishek Banerjee's Bittu is the beating heart here; he brings vulnerability and an almost Everyman quality that anchors all the chaos, making us root for him even as absurdity swirls around. The film understands that horror works best when we care about the person being haunted, and that emotional investment elevates what could have been a one-joke premise into something that actually lingers.

Where *Munjya* stumbles is in pacing and occasional tonal whiplash—the shift from tragedy to comedy doesn't always land smoothly, and some comedic sequences feel stretched thin, testing patience rather than building momentum. Yet there's undeniable craft in how the film refuses to be wholly cynical about Gotya's obsession even while condemning it; there's compassion in acknowledging that even a ghost was once human, once broken. The supporting cast holds its own, and the Pune setting gives the film a specificity that feels refreshing in mainstream Hindi cinema. It's messy and sometimes frustratingly uneven, but it has heart—and in an industry obsessed with spectacle, that counts for something genuine