Animal

Sandeep Reddy Vanga swings for the fences with *Animal*, and while the film occasionally connects, it's often wildly uncontrolled. Ranbir Kapoor delivers a committed performance as a man drowning in daddy issues and toxic masculinity, channeling genuine menace in key moments—particularly when he strangles Varun in that boardroom, a scene that's genuinely unsettling. The problem is that Vanga mistakes brutality for depth. The father-son dynamic that should anchor everything feels undercooked; we're told repeatedly how much Vijay needs his father's approval, but the emotional scaffolding crumbles under scrutiny. The film is technically competent with slick cinematography and editing, but it uses these tools to glorify rather than interrogate its protagonist's descent into violence. Anil Kapoor sleepwalks through his role, and the supporting cast exists primarily as plot devices.

Where *Animal* truly falters is in its bloated runtime and narrative incoherence. The second half devolves into a revenge fantasy that abandons any pretense of character study and becomes a stylish but hollow action spectacle. Asrar and the larger conspiracy feel hastily assembled, as if Vanga realized he'd spent too much time on psychodrama and needed to manufacture stakes. The film wants to be both an intimate family tragedy and a sprawling gangster epic, and it succeeds at neither. Yes, it's visceral and technically flashy—there's no denying its craftsmanship—but craftsmanship without purpose is jus