Almost Pyaar with DJ Mohabbat

Almost Pyaar with DJ Mohabbat

Flop / Disaster
Director
Anurag Kashyap
Studio
Zee StudiosGood Bad Films
Release Date
2 February 2023
Language
Hindi
Country
India
Budget
₹8.00 Cr
Box Office
₹0.25 Cr

Cast

Review

6/10Critic Score

Anurag Kashyap's "Almost Pyaar with DJ Mohabbat" arrives as a well-intentioned but uneven romantic drama that trades conventional narrative satisfaction for thematic ambition. The film's greatest strength lies in its refusal to romanticize love stories, instead peeling back layers to reveal the uncomfortable truths lurking beneath surface emotions. Kashyap's distinctive sensibility—that trademark ability to expose the darker underbelly of seemingly romantic situations—gives the film its philosophical backbone, while the lead performances demonstrate genuine commitment to the material. Amit Trivedi's musical score further elevates moments that might otherwise feel pedestrian, creating an emotional resonance that lingers beyond the closing credits.

However, the execution doesn't always match the conceptual ambition. The narrative, structured around two parallel stories, frequently feels truncated and incomplete, as if crucial moments have been left on the cutting room floor. The film grapples with significant societal themes but doesn't dig deep enough to transform them into something truly transformative or intensely engaging. Instead, it settles for surface-level observations about prejudice and conformity, letting storytelling clichés seep through despite the unconventional framing. What emerges is a film filled with earnest effort and occasional moments of genuine insight, yet constrained by a lack of narrative momentum and the inability to fully synthesize its competing i

— Vikram Bose, Bollyhits ↗

Storyline

So basically there's this girl in London who's completely fallen for this guy, like way more than he realizes. Meanwhile, in what feels like a totally separate world, there's another guy who's equally obsessed with some girl. It's this whole setup where both of them are chasing people who don't necessarily want to be chased, you know?

What gets wild is that both relationships are kind of weighed down by all this heavy stuff—family expectations, caste issues, religious differences, class problems. Like, it's not just about two people liking each other; there's all this external pressure making everything feel impossible. The film keeps cutting between these two storylines and you're just waiting to see how they're connected.

This character called DJ Mohabbat is basically narrating the whole thing, and he's got this perspective on love that's both musical and kinda mystical. There are legitimate coincidences that keep popping up that make you wonder if these two doomed love stories are actually meant to collide somehow. The whole vibe is melancholic but oddly compelling.

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