Director

Hari Viswanath

Hari Viswanath is a Chennai-based filmmaker who's carved out an impressive reputation for himself as a director, producer, and screenwriter with a knack for creating stories that resonate globally. He burst onto the international circuit with his Tamil film *Radiopetti* (Radio Set), which absolutely dominated the festival circuit—winning the Audience Award for Best Film at the prestigious Busan International Film Festival in 2015, getting picked up by Netflix, and earning a spot as the only Tamil film in the Indian Panorama section at the 46th International Film Festival of India. The accolades kept rolling in, with *Radiopetti* snagging Best Film and Special Jury Award for Best Acting at Chennai International Film Festival, plus Best Music honors at Spain's ImagineIndia festival. His achievements didn't stop there—he's also helmed the award-winning *Bansuri: The Flute*, and even served as a jury member for the Indian Panorama section at IFFI 2017 in Goa. What sets Viswanath apart is his ability to craft deeply human narratives that appeal across linguistic and geographical boundaries, blending regional sensibilities with universal themes. His filmmaking style emphasizes authenticity and nuanced storytelling, whether working in Tamil or Hindi cinema. With *Bansuri: The Flute*, his Hindi directorial debut featuring powerhouse performances from Anurag Kashyap and Rituparna Sengupta, he proved his versatility and ability to work with seasoned talent. Viswanath represents a new wave of Indian cinema—one that's unafraid to experiment with storytelling while maintaining the cultural depth that makes Indian films special. His selections at major international festivals cement his status as a filmmaker who's pushing boundaries and making Bollywood and regional Indian cinema matter